1st Day of Winter 512 Early Morning Leda had never really had much time or money to visit an Art Gallery before - somehow, there was a part of her, a part she felt had been rather too strongly instilled by her mother, that felt that Art was invariably useless and to spend valuable time looking at paintings was to mimic the lives of the idle rich in an inexcusable manner for a woman of her lack of finances. On the other hand, she could never have predicted how striking and beautiful, or even wonderfully grotesque, she found almost every sculpture, painting or carving she came across. Her Father used to say that she had a unique way of looking at the world, and she supposed it could be true. She knew other people must love beauty in the same manner she did, must feel that it alone was good enough a reason to be alive and the giddy feeling which one succumbed to while looking at it was merely a reflection that the object of attention made one feel more alive. That which she did feel was more unique was the way in which she felt that ugliness and destruction could be so anti-beauty that they became that which they seek to remove. A vision of an ugly object among a sea of other, different ugly objects was almost a testimony to life and its vices... she could not quite explain why such a sight disgusted her and took her breath away at the same time. It was at that point, passing by a wooden bust of something which seemed neither man nor woman nor human nor beast and turning to an oil painting, that she was struck dumb. The painting was not of an incredibly high standard (Even to Leda's untrained eye, this was discernible) but instead really rather new and refreshing with the quick brushstrokes making it look like the subject was moving and the painting still drying. It was very large and depicted a small clump of trees in the middle of an otherwise arid desert which took up most of the painting, white sand and light lilac skies fading into the picture frame. Without having any great knowledge of plants, the trees were ones which should not have been anywhere near a desert, and they were not what they first appeared to be for each of the trees, on closer inspection, were contorted to look like a man. Not really a man either. A creature or hybrid was perhaps a more accurate description. The trunks of the trees made up long legs, rooted into the desert ground. The tops of the trees looked like the heads, but men's heads with beaks like those of ducks, and the leaves were spread out like wings rather than arms, the brush strokes cleverly making them appear both like feathers and leaves simultaneously. Leda now saw that she was wrong to state that the painting had been made by an amateur since now she realised that the simplicity and yet the dark complexity of it could only be the work of a professional or even a master. The trees were rooted yet one was flying away - flying away without leaving the ground yet so much closer to the dark red sun in the background. A sun which appeared to her like a hole in the fragment of reality and a fragment in the painting. |