[Flashback] Music Is Life (part I)

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An inland sea created by Ivak's cataclismic fury during the Valterrian, the Suvan Sea is a major trade route and the foremost hub for piracy in Mizahar. [lore]

[Flashback] Music Is Life (part I)

Postby Topaz Maelstrom on June 27th, 2011, 5:57 pm

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Timestamp: 508 AV, Summer 20th
Location: Southern Suvan - Tova Bay
Purpose: Mandolin & Sailing
Status: Closed

Topaz sat cradling her mandolin, stroking its fine curved neck, as her ship the Sunseeker rocked back and forth anchored in Tova Bay. The day was waning, but Topaz didn’t mind. Crystal was frolicking in the surf and chasing other dolphin’s that belonged to the Pod as Tavan. Home was beautiful, even if she wasn’t anchored with Moon or the rest of her relatives. But now wasn’t the time for play, not like Crystal was doing. Now it was more than time for her to practice her Mandolin. Sure, she'd fumbled through it well enough up until now, but it was time to do some actual learning. Like Lia Turquoise always said – Why do something if you can’t do it with style?

Her mother’s father, one of Turquoise’ lovers had played. As a girl, he'd often let her sit by his knee, around the campfires on the beach, and listen to him play the very mandolin she cradled in her arms this instant. She remembered what he used to say about it quite clearly.

"Girl... you need to know your instrument well. It needs to always be in a playable condition, and it needs to be tuned."
She already knew how to tune it. That was one of her birthrights. The Maelstrom's had keen ears and a good sense of pitch. She glanced down at the mandolin, following that well-remembered advice. She checked for cracks and warps, and then checked the pegs to see if they were tight and working. The strings were all in place, the four pairs of them, and tuned perfectly. She ran her hands over the neck, and noted the oddity of the strings. It was a beautiful instrument, carved of Svefra hands and worked with dolphins playing up its side fit her personality well.

The instrument she cradled in her arms was a rare beast. People often thought they were guitars, but they were not. Their sound, to Topaz, was richer more fuller and somewhat haunting. Mandolin's had eight strings, though they were arranged in pairs of two, each two tuned to the same note. They were designed to be played at the same time, and thus each pair only counted as one string. She smiled, checking them. Yes, they all looked good.

"Always check your action, girl. This is a critical factor, because if the strings are too high above the fret, you'll have a hard time pushing your fingers down on them to create your music. If their too low, they'll rattle or buzz on the frets."
She checked the height, and adjusted it slightly. The fret, or little metal bars placed at various intervals along the neck, looked to be the perfect distance beneath the strings, ready to take her finger pressure. She loved his terms. "Fret... action" She didn't know what action was for the longest time... It just meant height. Bards took such interesting titles for their instruments and their parts.... so much so it made Topaz chuckle. Always, they had a flair for the dramatic. She supposed she wasn't too different.

Regan's voice spoke in her memory again. "Now, hold your mandolin on your lap so that the neck is pointed left, and look at the little strip of bone near the tuning pegs which the strings cross over. That's called the nut. The grooves in the nut should allow the strings to barely clear the first fret." She checked, and it did. She smiled at this. Topaz hoped her mother’s father would appreciate how well she'd been taking care of his mandolin.


"Now look at the bridge... the wooden bar that the strings cross over at the other end of your mandolin. I will show you a trick to see if your adjustment is correct."
She remembered, in the clarity of her past, that he'd pulled stone miza from his pocket and neatly slipped it between the strings and the twelfth fret. Then he'd adjusted the action at the fret so it was exactly the miza's thickness. "I remember, Regan. I remember you saying that the lower the action, the easier it is to play. I will keep it low for now... until I get better...." But not too low she thought, remembering the funny buzzing noises you'd get from playing with your action set up too low. She laughed suddenly, glancing around. She hoped no one would have heard her speaking to her mother’s father, who was long passed from the world. When she discovered she was alone, she continued on.

Yes, that was the idea. Keep the strings low while your learning to play, then raise them up some when you're ready to start playing for others. She knew more experienced players preferred higher action because it produced a louder clearer sound.

Next the strings. She nodded, and then tried to remember what he said about those. "Strings, adjust them so they are just a hair above the first fret and miza’s length above the last." She checked.... yes.. all correct.

She was now ready to double check her tuning, then she could start playing. But first their was the Sunseeker to attend too. While she was anchored the tide was going out and the bay she was resting in was getting dangerously shallow. It happened sometimes on the isles in the Southern Suvan. Topaz set her mandolin aside, rose up, and pulled up the anchor. She let out the sail, cranked on the jig line, and caught enough wind to catch the boat and move it while there was still water under her hull. Topaz tied off the sail and scrim line, moved to the back of the boat where she could steer it better, and guided the little casinor out into deeper water. The jade blue of the sea beneath her was crystal clear, revealing reefs below. She settled the Casinor between two reefs, deeper into the bay, and threw her anchor out again. Now she wouldn’t run aground and be stuck until the tide came back in and lifted the boat free.



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Last edited by Topaz Maelstrom on July 10th, 2011, 8:54 pm, edited 1 time in total.
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[Flashback] Music Is Life

Postby Topaz Maelstrom on July 10th, 2011, 6:51 pm

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The Maelstroms were a tight loving family. They always had been close, regardless of who was related to whom and who did the raising of said children. Topaz was glad Regan's wisdom traveled with her, and that she'd learned so much sitting at his knee. Every one of her family members had a lot to offer in terms of wisdom, it was just that Regan’s mandolin lessons were particularly keen in her mind. She took the mandolin onto her lap and glanced around. The bay was peaceful, and she would have no trouble tuning her instrument to the gentle sounds of water lapping the side of her Casinor.

There were really two ways to tune a mandolin. One could tune it to itself, or one could tune it to a pitch pipe if one wanted to be certain it’s voice would match other instruments. Topaz had a small pitch pipe now, but she decided to tune the mandolin to itself, rather than to the pitch pipe since she was playing for her own pleasure and not accompanying any other instruments. She smiled, looked over the instrument, and began. She looked at the G unison strings first, and knew she needed to tune them so they sounded exactly the same. She did so, tightening the pegs at the top of the neck until she had exactly the same sound. Then she held down that pair (the 'fourth string') at the seventh fret and plucked it until she got a good clear sound. Topaz smiled at the warmth of the sound, glad the instrument in her hands was such fine quality.

Moving on, she plucked the third string without pushing it down on any of the frets. She compared the resulting note with the one the G string produced. There was a slight difference, so she changed the D unison strings until that pair produced the same note when played open, or unfretted as the G string did when it was held down at the seventh fret. Once she had the D string sounding right, she pushed it down at the seventh fret and adjusted the A unison strings in the same manner. Finally, she fingered the A string at the seventh fret and tuned the E unison strings so that they corresponded to the fretted A.

Topaz smiled. The whole process seemed complicated, but it wasn’t truly that difficult. It had taken her a long time to master that technique verses simply relying on a pitch pipe, even though she had one secret pleasure. Topaz had perfect pitch. She never missed a note that way and knew instinctively if her instrument was voicing the right sound or not.

The complicated part of tuning an instrument was knowing if you were tuning it right. Topaz knew. She always knew. She was just manipulating the instrument until its sound was wholesome, beautiful, and the strings matched each other up the scale. Topaz just reminded herself that when she was tuning a string, she needed to pluck it with her pick at the same time she turned her pegs. She got a better feel that way for how much the string was changing, and enabled her to adjust it more quickly.

There was no getting around it though. The mandolin was a persnickity instrument to tune, with the double strings playing tricks on her ears. So she took extra time and made doubly certain it was correct. Then she pulled out her pitch pipe, and checked her tuning work to make sure it was pitched carefully. It was. She smiled in relief. Now she was ready to play.



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[Flashback] Music Is Life

Postby Topaz Maelstrom on July 10th, 2011, 6:55 pm

Image “It's all in the pick and it's all in the wrist.” Topaz was an auditory learner, one that had to do and hear rather than be told, so even though he’d said it a thousand times, until she’d actually heard it, the meaning was very elusive to her.

Topaz picked up her tortoise shell pick where she kept it stored in the neck of the mandolin. As she did so, her mind drifted back to what Regan had told her about picks.

"Picks come in a variety of sizes, shapes, and thicknesses, Topaz. After you've been playing awhile, you'll get a feeling for which kind is best for you. However, for starters, let me recommend this tear-drop shaped medium tortoise shell for you, my dear." At that point Regan had handed her ten of them, laughing slightly. "Always keep as many picks around as you have fingers for. You can break them, loose them, so always keep spares." She nodded to herself. Her mandolin case had at least that many now.

Now, for holding the pick.

She stuck her right hand out in front of her as if she was going to shake someone's hand. Now, while keeping her fingers pointed straight out, she bent her index finger inward. Then, she balanced her pick on the first joint of her index finger with the tip of the pick pointing straight to the left. Finally, to keep her pick from falling on the floor when she played, she laid her thumb on the middle of the pick with enough pressure to restain the thing, but not so much that her thumb would turn blue. It was an easy idea to pick up. The middle of her finger was supposed to be in the middle of the pick, and the pick, in turn, should be resting directly on the first joint of her index finger. She then remembered, she had to keep the rest of her fingers pointed outward.

Then, she thought about her wrist. "Topaz, playing the mandolin is all about your wrist. That expression 'It's all in the wrist' holds absolutely true." Regan used to say. Subtle, nimble wrist movements was one of the keys to playing the instrument well. She practiced often, and while holding her pick correctly, she moved her wrist up and down but kept the rest of her arm absolutely still. Yes, that was the way it was supposed to be worked. She kept the pick at a right angle to the strings, and smiled to herself... proud that she'd remembered Regan’s advice.

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[Flashback] Music Is Life

Postby Topaz Maelstrom on July 10th, 2011, 7:25 pm

Image Daydreaming had always been a favorite of Topaz. Sitting there remembering her lessons with Regan was almost like traveling back in time and experiencing them first hand. She learned a great deal by copying him, but she also learned by imitating him. When he taught her a cord, she simply sat there and played what he played what he played until she got it right.

Her mind drifted back and she remembered the first time she’d ever played a D cord and how she’d learned.

Topaz knew mandolin was well suited to playing melody, harmony, fill-in notes, and chords for accompaniment to almost anything, including her voice. The trick was mastering first the chords, then learning the scales. She worked on chords first, because they were the hardest.

She started by learning a few simple chords. D would be easiest. To play a D chord, she pushed the first, or E, string down at the second fret with her middle finger, and at the same time, she fretted the fourth, or G, string at the second fret with her index finger. It was a difficult stretch, but she managed, stroking the strings to coax the D chord out of the lovely instrument.

Topaz kept in mind that it was important to push down hard enough on the strings to make each note ring clear, especially when she was chording. One way to make it easier was to hold her left thumb against the back of the neck and squeeze the strings between her thumb and fingers. It regulated the sound and made her weak fingers stronger. Now, she strummed all four strings with her pick, playing a strong D chord.

She decided with knowing the D chord, she could play a simple song... a child's song. It was about rowing a dingy, something every Svefra child learned.

Fingering a D chord and strumming down on all four strings, over and over, with a constant, rhythmic stroke, Topaz picked up the tune. She tried keeping a strong, steady beat, like the tick-tock of a grandfather clock. Then, once she got that going, added her voice to the beat. She visualized the song written out, with slash marks indicating where to strum to keep the rhythm going:

Row, Row, Row Your Boat
/ / / / /

Row, Row, Row Your Boat,
/ / / / /

Gently Down The Stream,
/ / / /

Merrily, Merrily, Merrily, Merrily,
/ / / /
Life Is But A Dream!
/ / / / /

Topaz grinned, gaining confidence, and launched into the song one more time, raising her voice and singing out clearly, strumming her mandolin in accompaniment. She felt the music, felt the joy, and loved the music flowing through the air about the little Casinor as it rocked back and forth anchored in Tova Bay.

It was only then that she came back to herself, grateful to hold such wonderful memories in her heart. Regan was long gone – disappeared beneath the waves leaving his Casinor available. His death was but an accident, everyone was certain, for he was no morpher in danger of diving and never returning because the seduction of the sea had been too great. So it was ironic that the Sunseeker used to be his and every time she touched its wood it reminded her of him.

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Last edited by Topaz Maelstrom on July 10th, 2011, 7:48 pm, edited 2 times in total.
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[Flashback] Music Is Life

Postby Topaz Maelstrom on July 10th, 2011, 7:32 pm

Image Topaz moved her fingers, stroking the neck of the mandolin, her mind drifting to another chord..... A this time. Regans words were still there, so too was his influence as she drifted back in time and remembered learning her mandolin’s chords.

She played the song about rowing her boat a while, and kept at it until she mastered it. Then she moved on to the A. Topaz held down her left index finger on the third, or D, string at the second fret. She strummed the bottom three strings and produced a clear A, a one-fingered chord. She smiled, glad the chord was so simple. She was careful not to strum the fourth, or G, string, that would have produced yet another chord. Smiling, she strummed it once then twice more.

She practiced playing her D and A chords, changing from one to the other without stopping or even hesitating. It took a while for her to learn this smoothly, but she kept at it, strumming quickly... trying to produce quick transitions and teach her fingers to make it the changes quickly and easily in her mind, like breathing or walking.

Playing the two chords, changing from one another without stopping or hesitating was not what she'd consider stimulating as a musician. Rather, it was a bit boring, so she decided to change it up a bit, switching from just strumming a chord into a waltz rhythm. The waltz had a rhythm that sounded like one two three, one two three, or A D D, A D D...drawing out the D into a longer form.

While she was holding her D chord (one), playing the fourth or G string once with her pick, she followed by two strums down over the bottom three strings (two three). She played that over and over until she learned to keep a good waltz rhythm going. Once she could sustain it, she tried using her A chord. She avoided hitting the fourth string, and played the 'one' as an A with the third string held down at the second fret. Then she strummed twice on the bottom two strings.

She kept playing that way, repeating the whole process a few times, practicing keeping her right hand going while changing chords. Next she added her voice to a timeless old tune...

Down in the southern Suvan....

(one two three, one two three, one two three)

The Suvan so low...
(one two three one two three one two three)

Hang your head over....
(one two three one two three one two three)

Hear the wind blow....
(one two three one two three one two three)

She smiled, and practiced the song a few more times.... before setting her mandolin aside and calling it a day.

Topaz rose, stripped off her clothing and slipped over the side of the Casinor. Her sleek form shifted, slowly, from tanned to pale and then growing in proportion until a dolphin as white as snow took her place. A second joined her and together the pair frolicked off to feed, chasing brightly colored jewel-tone fish in the reefs below Tova Bay.

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Last edited by Topaz Maelstrom on July 10th, 2011, 7:47 pm, edited 2 times in total.
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Topaz Maelstrom
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Joined roleplay: June 12th, 2011, 6:40 pm
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