It's The Journey, Not The Destination [Open]

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Canyons and teetering formations of redstone serve as old witnesses of once deep rivers and catastrophic geysers. Now a dry beautiful place, it holds hardy creatures on its cliffs and in its caves.

It's The Journey, Not The Destination [Open]

Postby Nahuat on May 6th, 2010, 12:57 am

http://www.youtube.com/watch?v=dD0YqNN1OqE

TS: 4th day of Spring; 510 AV


In a land where the wind has names, and the lonely earth has never touched, nor felt, or kissed the leaves that fall from their arborly paradise like fingertips across the hummus of a lover's sweet terra, there was still a love moving across the naked earth, laid open to the imminent forces of destiny.

Everspring was a memory in Eyktol, who, for all its barren desolation and expanse of emptiness, could not shake the last few living rituals of the region; one of them winding its way across the silted fathoms in celebration of the season. Like a loose threadbare extended from the seamless surface of a grand golden tapestry, the chaktawe people of Kalanue emerged over the cascade sand as a soft, living trickle of life; one of the few ghostly remenants that mirrored a pale shadow of existence in these parts.

And still, the cold blister of desert winter had not bent their slender and lean backs, nor had it taken from them what only the spirit of Mitsuki could take-- hope-- hope for the water of life, the thirst for knowledge, and to swim in creation's essence. The dawn had unfurreled her winter-kept wings, and spread them to unshoulder the frosty hands of a desert in hibernation, then gracefully Her life giving rays floated across the silted fathoms, and out into the rocky red monolith country, where the last of the lost springs bubbled forth. The omens in the clouds, the rush in the wind, the gourd shaped cacti, all a soft whisper to the rambling herd of cattle and their benashira masters, or those hidden herds of bowback, who still wander these lands free, each keenly aware of a hidden song, a drum that urged them to beat determined steps through the gamut, into this blistering hot dance, till the sweet release of liquid ecstasy had drowned them in a thousand drinks from the crystalline springs of the red northern mountains.

Spring was calling to them, piercing the cumulus kingdoms and airy palaces that existed, as if in a dream, and showered the acacia and cypress in a million scintillate ways. The Kalanue were no exception to the call of the song, and with hide tents, yucca boles, and fiber lashed pack bound up for sojourn, the scant tribe made from the eastern coast to the rocky central north, where it seemed the winds of Zulrav was the first to find them.

The sky had breathed His first challenge to the people, and as the howl of the seasons roared a death throttle to harken its successor they braced the deafening roar, and hugged themselves to keep from being swallowed into a sandstorm abyss. Zulrav beat upon them that first night of exodus, where they found themselves between the wings of a stormy impass, and their backs to the rocks, where the vultures wheeled, the serpents hissed, and to die in this broken eden was the song of an old unrest. The sands were so that prayer and chant was needed, anything to keep the lashing winds and whipping sands from ripping away the tears that might swell at their worn cheeks. They hugged each other, till the fire in Tzualtacan, Wattacca, and Wooanodpopso matched the fire of the southern dunes, and in their defiance they tested Zulravs hand.

They were like dreamcatchers; their three forms rose up to the jagged cliffs south of the coastal fringe, where valleys sent dune up into the sky, like a towering column, and before the dancing monolith they bore testament of the undying chaktawe spirit, and their love for this land. There was great distance and respect placed between the two, but it seemed as if the stormy hand would not be so easily satisfied by the simple swaying of three desert nomads. The winds of the realm gave mighty burst, and beneath their skirted wings the paragons of midnight, their skin painted in black, their locks as tendrils of animate midnight streaking back like a comets tail; each a whirling effigy of the darkness, dancing amidst the winds in the irridate light of day.

They whirled as the vulture swooped low, and cascaded phantom forms against the bearing of the wind, weathering fierce and unflinching abuses, yet never did their ceaseless movements or rituals break. Never did intricate isolations, with bodies that moved like vines, arms like leaves, caressing that wild air, coaxing the lashing gales toward their bosom, move with such effortless veneration for a force that wasn't beholden to them this very moment.

But their dance had just begun.
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It's The Journey, Not The Destination [Open]

Postby Kuhani on May 8th, 2010, 7:38 am

Kuhani clung to her mother in fear for her fellow Kalanue, watching the men with such awe and worry that she felt as though her stomach would burst from sickness. Looking up, she saw the stone expression of her matron. The girl could feel her hands trembling, however, no matter the strength of the older woman. Her hair appeared more white than black now, Kuhani realized, as the wind swept it up and pushed it back towards the desert sands. Her mother's hand tightened on her shoulder, sheltering her with wisdom. This was only a challenge. It would not last.

The dancers ignored the biting sands and winds, continuing their affair with each other, the Kalanue, and the land. The movements became more fervent, marked by not aggression, but rather heated passion and love. Writhing underneath the wind, the ritualists seemed to be speaking with Zulrav, drawing back and forward with every breath and movement of their arms, legs, and heads. Backs arched and straightened, moving at such strange angles that Kuhani felt her bones ache just by watching. It was beautiful, yes, and fueled by undying love and the spirit of the Chaktawe, and Kuhani felt herself become almost jealous of the men who danced.

She turned away, looking back at the faces of younger children, elders, and women. The men seemed to be talking amongst themselves, fearful of what it would mean to be stranded for another few days in the desert. The youth were doing as she was, clinging to their mothers and bothering them with idle chatter or worries. Kuhani immediately let go. She was not yet an adult, but she was not a worthless child.

Kuhanu, her brother, stood next to her, eyes fixated on the dancers. His mouth was shaped into a frown, obviously displeased. Kuhani watched his hands for a moment, but deduced they were not shaking. She looked up to him with large, black eyes. He glanced her way for a moment, but his gaze returned to the dancers, avoiding eye contact. Instead, he offered his hand. After a moment's pause, she took it. They looked back toward the dancers, fearful of the outcome.

Kuhani squeezed her brother's hand, unable to keep still. It was not returned.
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It's The Journey, Not The Destination [Open]

Postby Gossamer on May 11th, 2010, 6:16 pm

Plot Notes

The dance and song was accepted as an offering. It was taken at face value and acknowledged as a dangerous devotion in the middle of a swirling storm of sand. The Chaktawe were no strangers to hardship and held no cowardice in their souls. They instead understood the land they wandered across and rejoiced in its bounties even as they refused to dwell on its inadequacies. So as the sun set the sand ceased its blowing like a roaring velispar that finally settled for the night, content to snooze soundly in the slowly cooling sands. They were near the Redstone Cliffs, but not deeply into them. And while the territory was familiar to them, sand changed the landscape repeatedly giving it a sense of newness because Zulrav's breath exposed features that were only barely noticeable in the fading light.

As the tribe regathered, the Abayla Luhiwa pointed and raised her voice in discovery. Near the edge of where the camp was, blown sand had revealed the symbol of a sun being smothered by clouds painted into the red stone of the region. It was an enormous finger of rock that pointed skyward as if to deceive the viewers away from the shadowy opening at its base. The tribe mingled in its preparation to move out in its nightly migration as the Wayhali and the Luhiwa consulted.

Soon, a request for two volunteers were sent out. Someone would be left behind to leave offerings to Zulrav in the form of sand art in the base of the sacred painting and in the form of a song. Someone else would be left to track the tribe and return the singer and sand painter to the fold once the offering was complete. Wayhali Ahanu soon gestured to Kahani, for though she had no skill in sand painting, she had a voice like a songbird. The painting was simple enough and he left bags of sand with her in all the primary colors with extra bags of red, orange, white, and yellow.... and orders to penetrate the depths of the depression and leave the painting where the wind would not destroy it too quickly. Nahuat was also requested to stay, to track her back to the tribe and join her in song at the conclusion of her painting even if his singing voice was dubious.

The Wayhali and Luhiwa left no room for argument. This was what they decided and what would be required. Sand Painting was often taught in this manner, under fire, because they believed as a whole that art came more from the heart than from the hands.

So, as Leth rose and Syna departed the sky, Kuhani and Nahuat were left to their own devices, properly instructed and equipped, for the night to come.
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It's The Journey, Not The Destination [Open]

Postby Gossamer on June 3rd, 2010, 8:11 pm

OOC: Since this one hasn't been touched. I'm dropping it off my list.
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