"I-I'm sorry. He escaped."
"No, he didn't."
"Huh?"
"Did I stutter, squirt? A repetition, then: No, he didn't."
"I don't get it. He clearly-"
"Your blunder does not matter. Your methods, while void-challenged and needlessly sloppy, do not matter. What matters, though, is the report I have to file to the High Hand. Do you know which one I work for, Squirt? Do you know which one WE work for? Old Raiza would have been a transfer I'll be more than willing to accept to get away from this one. OLD. RAIZA. Ponder that one for a chime."
"But the-"
"No. Not this time, Antonnius Arrius. I talk. You listen, and listen well: You are a Silencer of Alvadas. You swore an oath to this city and Ionu, and by that oath, YOU will fix this. Discretely. You've lost the luxury of an open execution this time. Lose the uniform too. When I write that tediously inane report, it will go on the lines of: 'HE DIED. WITHOUT INCIDENT.' Do you understand me, Mr. Arrius?"
"...Yes."
"Sir."
"Yes, Sir."
"Ionu's mercy is in city rotation close by, but it won't be for a few more chimes. Creepy building. What you did to him probably drew it here. I suggest you hurry. Change out. I'll comb the streets, you take the healing centre. You will go in as a civilian, as a boy requiring treatment for your arm - How did you even get that? - and should you find him, short of more causalities, you will do whatever it takes to ensure that petchin' leecher dies. And Anton?"
"Yes, sir?"
"Void him. Quick and simple, this time. Flair and ego and dramatics are for speakers and children - You have not sunk so low to be the former and you don't get to be the latter. Not now. Not on duty. Not while you serve the Trickster's city. You think he deserved worse, so you got creative - No. Every time a marked walks away from a silencer, he takes a chunk of the terror we instill from us. And when people see us not as monsters lurking in the shadows, but people - FALLIBLE people - then...No matter. I want this clean. Now is not the time for making examples, not the messy kind, anyway. Are we clear?"
A pause.
"He did something. You saw the bodies. I don't know what he did, but he did it."
"Kill those men, yes. Murderers murder. It's what they do."
"Not them only. He did something to her too. He did something to her and I don't think she's gonna be alright."
Another pause.
"Go. We have your job to do."
...
Anton had never seen Huntell so agitated before. So angry. So full of righteous authority. The contrast with his usual easy-going approach was so terrifying jarring that Anton's role in their little man-and-child dynamic was warped into that of a meek child taking orders from a demanding father. How many times more would he see this side of Huntell, he wondered. How many more things would set him off like this?
One time too many, he believed.
Amazingly, he wasn't as bitter about it as he thought he would be. In fact, he could even empathize, if not quite sympathize, with Huntell's anger.
He felt the exact same way. No, what he felt was stronger.
For completely different reasons.
Reasons that may or may not be in the castle-like building before him.
Reasons that would cease to be reasons anymore, when he was done with them.
As he took a step forward...
The building disappeared.
Just like that. Vanished.
Ordinarily, he might have panicked. Ordinarily, he might have thought and tried and tested and asked. But today, in silent rage, he found clarity. And clarity found the obvious answer to his problem in echos of what Huntell said.
What you did to him probably drew it here
He stared at his right arm, still pumping out tiny trickles of blood from the shallow knife wound, and took a deep, deep breath.
Whatever it took...
For a moment, he thought about projection. He thought about what it meant to him.
And when the moment passed, he whipped out his hunting knife, and tore the wound right open.
He must have squealed because his mouth was open. He must have starting crying abit, because his eyes were starting to get wet. He must have been bleeding, and because his arm throbbed and burned and something too sluggish to be water found it's way down from the stab point to his clothes.
He waited.
Then he didn't.
"Not enough?" he screamed at everyone and no one. "Okay."
The knife came down again.
And again.
Steel into flesh, flesh into steel.
Redder and redder with each and every subsequent strike.
As he raised the knife again, as he brought up that red piece of steel to invite another piece of pain into his world, the building then materialized back into view, as if urging him to put down his knife and stop.
Okay, then. Apology accepted.
He tossed the knife to the ground.
Anton then tried for a look that matched what a lost child, alone in the streets, with the clothes on his back and a hurting arm that wouldn't stop dripping red.
He tried.
And as anger and desperation and the gnawing fear that this just wouldn't work out boiled in him, he realized he didn't really need to.
He opened the door. The song was, in gentler terms, most unwelcome.
"Hello?" He called out, clutching at his red-colored hand, honestly shocked at how raw his voice sounded. "Hello? Somebody? It hurts! It really hurts and I need help."