Summer 519
Having since recovered from the destruction of the Spring, including removing the moat and repairing its extensive damage, Infinity has returned to its expressive, eccentric ways. A deeply personal experience with Ionu, the deity of illusion, has done much to focus its exuberance and spark its flow of creativity. And the arrival of its creator's twin children has injected new life and a sense of purpose into its struggling mind. Between the two the house has come out of its season long depression with a vibrance for life and its new religion.
During the season the sour soil has been repopulated with great swaths of blooming summer wildflowers in strange geometric patters. Some effort has gone into encouraging the trees to grow into similar shapes; but while there are the beginnings of disturbingly straight lines and corners in the trees, the project remains frustratingly unfinished. Over the course of the season residents may find their rooms redecorated, some with new paint, furniture or an entirely different layout. The houses new preoccupation with geometric patterns are very much in evidence, with very little concern going into logic or comfort.
A space has been cleared towards the very back of the property, in a little valley devoid of both trees and flowers. The house discourages anybody from approaching, and will retaliate with sudden mud puddles and swarms of bees if anybody gets too curious. Madeira and the ghosts all insist the residents leave it be, and that the house will reveal its intentions when its ready.[/googlefont]
