Reaver noted Rayage had connected to the circle on the other side. He mused if such a thing could work with Animation, given some applications from this art. He removed his glove, and set it down near where he would be sitting. He took his needle, and drew his own blood. He moved to the other side as he did this, and found the key point he was supposed to place it on. He set his finger right where Rayage had before, and instantly felt the connection to the Djed. He felt the Djed of the founts, but not the filters? Strange, he did not understand the process after all. He traced the lines, feeling all the Djed available for the transaction. He ran his own Djed through one, two, three times. With a feel for how it worked, he started slow. He willed the ring to move. Nothing? No, a small movement. A very slow process. This is also the same. Reaver visibly relaxed, as if having found the final piece to a puzzle. He slowly worked with the Djed, getting a familiar feel to the process. He focused, not only on the flow, but what the process was doing TO the flow. He could feel it, some of the Djed was being, torn away... at the filters no less.
So, the Djed at the filters are subtracted from the Djed from the Founts. Now I know how this works, on the outside. The Djed being forced in the middle adds all that Djed to the target? Now I suspect I really know why his reaction failed. Does the Djed around the outside simply add all its remaining effects to the host? Is there an override? It must be daunting to have so many variables in the equation. Reaver noticed his monologue had taken from his focus, and some of the Djed was now outside the ring. Regaining his focus, he took what he had left, and added a touch of his own to even out the reaction. With his own Djed placed within the reaction, his control increased. He knew it was time to work on the reaction itself, so that the teacher wouldn't see the effort wasted.
He focused, and spun the energy around and around. As the speed slowly increased, he found it increasingly harder to focus on the entire circle at once. He cut out other thoughts, his body stopped moving, breathing even. His eyes weren't even attempting to focus anymore. He was now completely absorbed by the process before him. Even with this great focus, he couldn't build the speed up much beyond where it was at. Two, three times faster. As he could feel the Djed trying to tear away from him, he focused it inward, all at once, and removed his hand as instructed almost instinctively.
His eyes refocused, now on his hand laying upon the circle. He began breathing once again. He found, though, that last step took some effort. He moved his body, stretching it a limb at a time. How long was that reaction? His body seamed quite stiff. He looked up, first to Rayage. He hadn't really moved, so perhaps he had managed to do something right. He looked around the room, minor damage close to the circle, some of the ink he had drawn there was rather burnt. Finally, he looked to the middle. There was indeed a square there, and it was black! ...Mostly. It wasn't as dark as the reaction was before, perhaps from the lost Djed. He leaned forward, and grabbed the paper before him, only to have it fall in half. He stared at the piece still in his hand, it was very aged, and almost... decomposed. He realized what happened, his own Djed from his damaged body had transferred that damage and age to the page. A very complicated art, but the complexities could be avoided or learned outside of the reaction, unlike my art. You could almost predict them... or not. He thought suddenly of the girl he had worked on earlier.
"The first question, then, is what were you trying to remove from the lizards?" |