Solo Things Set in Motion

In which Alses visits Maeki Cho.

(This is a thread from Mizahar's fantasy roleplay forum. Why don't you register today? This message is not shown when you are logged in. Come roleplay with us, it's fun!)

The Diamond of Kalea is located on Kalea's extreme west coast and called as such because its completely made of a crystalline substance called Skyglass. Home of the Alvina of the Stars, cultural mecca of knowledge seekers, and rife with Ethaefal, this remote city shimmers with its own unique light.

Things Set in Motion

Postby Alses on September 6th, 2013, 11:10 pm

Image
Now for a directive,” Maeki instructed from close by, watching carefully. After a short break under the reinvigorating light of Syna, beaming merrily down from on high, Alses had returned to the circles, much refreshed: full of vim and vigour and almost crackling with freshly-internalised djed.

By imprinting it this early, it becomes absolute law for the construct. It's impossible for the Animation to disobey something in the directives, unless – and this is the important bit – it's commanded to do so by a higher, by which I mean earlier, directive.

Alses nodded. “So how do we go about it?” she asked, eager to get on with it even as she was mentally starting to prepare herself for the next complex task that would build towards a complete Animation.

Focus and concentration again,” Maeki murmured cheerfully. “Blood, too, will guide you – you'll need another drop to re-establish the connection. Once you've got it back – remember that sucking sensation? Once you have it in your grasp, you'll need to really think hard about what you want to do. This time, you want a kill-word, something that'll arrest and disperse the Life Principle itself, so your Animation dies. With a temporary kill-word, it forces sleep on the Life Principle and cuts ties to the astral body, but we'll get to that later. Better to use the permanent method at first, trust me. Good for practice, too.

I'm sure,” Alses murmured, already sinking into the dreaming realm of meditation, the focused state illuminated by her passive Sight and where everything was crystal-clear and bright, only the silver thread of her thoughts unspooling gloriously in the firmament. Every fragment and facet of her disparate lives, all her memories, they faded away in that beautiful state, leaving her hale and whole and able to direct the full force of her intellect against a problem, a process, a procedure or technique.

The exalted state seemed only to come when every erg of her brain was directed at something – most usually magecraft, but it was gratifying to find Animation inspired the same depth of focus and concentration. A welling drop of blood shimmered forth from Alses' skin and caught ephemeral flame in the Animation circles, a rising snake of djed unspooling from her symbolic sacrifice and being strengthened, rewoven and reformed by influxes of ambient djed, whirling around in a brilliant lightshow that spangled glorious radiances across the backs of her eyes.

'Now, focus, Alse...' She thought, bending her brain around the new theories and concepts as best she could, integrating the percolating knowledge into what she could observe, what she could infer and extrapolate from the shimmering panorama laid out before her. It was a technique that had served her well when learning magecraft, so perhaps it would work with Animation, too.

'Yomi-canoch, yomi-canoch, yomi-canoch,' she thought fiercely, focusing on it like a mantra, the sensation of extraction coming strong and focused now, directed by the circles and her own, fumbling attempts to split her mind and send the relevant part of it to impart the information to the waiting, naïve Animation growing in the Destination circle – which was ablaze with replicating, incorporating djed as she continued the delicate, fiddly process.

'Death and endings, a disjunction of djed,' was the next thought, although whereas her first thought had been cargoed with meaning and context, this was simply empty words. Eternal and perfect, death was a distant and wavering spectre, not the silent companion of every mortal; she didn't have the same, instinctive understanding of it, of what would happen.

Her thoughts, though, then took a more morbid turn; she remembered Hayani, the departure of the soul as a razor-sharp sword snicked head from shoulders, the rapid exhalation of life and the deadness as something of the essential essence of an eternal Ethaefal tore free from the body that had contained it, leaving dead and accusing eyes and a face that, even in the slackness of death, looked affronted and accusing, as though everything had been her fault.

Poisoned memories and concepts rushed down the connection, greedily drawn out by the indiscriminate circles, death and endings well and truly forced into the little toy, plated close around its bright and shining core.

Alses? Alses!” That was Maeki, voice sharper than she'd heard before, the sound cutting through the lights and the momentary introspection.

Mm?” she began, still swimming up from the depths of concentration, distracted and abstracted. “Yes? Did we do something wrong?

The sense of a shaking head, a shivering ripple in the aura. “
You were shaking and covered in sweat,” Maeki replied, concern ringing through every word. “I got worried. What happened?

Alses blinked. “Just memories,” she replied with a slightly brittle laugh. “We were focusing on death and endings as a way to help us build in the disjunction for the kill-word.

Ah,” Maeki replied quietly. “Yes. Not the nicest of things, as it goes. Did it work?” she asked quickly – she wasn't a person to linger on the sad or morbid, determinedly cheerful. Almost desperately so, in fact, as though she herself had bad memories on the subject.

Squinting dubiously at the Animation in its circle, Alses assessed the forming construct as best she could, still somewhat unfamiliar with the appearance of half-done creations. “I think so,” she replied, after several chimes of fierce squinting – she'd managed to encode some form of disjunction, it looked rather similar to a glyphing trigger, to her auristic sight, that same intentional corruption and spiky nastiness, all locked up, sealed away, bound about by shimmering walls of a single concept – Yomi-canoch – to be released and to fail at the utterance of that word.

The hope was that the antithetical djed, held in a separate little shell next to the kernel of copied life itself, would be strong enough to completely disrupt and corrupt the Life Principle, destroying the Animation that would otherwise have kept it moving.

A very final method, perhaps, but still a worthwhile one to learn, according to Maeki – and Alses was in no position to disagree.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on September 7th, 2013, 12:04 am

Image
Nearly done,” Maeki encouraged, as the sun began to set and the pale walls of the laboratory began to take on a distinctly bloody cast. “Now you must teach your nascent Animation what it needs to know. You need to focus on what it is you want it to do, and how it can do it; it's useless if you just repeat the words without any meaning behind them.” Maeki gestured expressively in the corner of Alses' vision, tugging at eyes more attuned to the deep numinous than the shallow physical.

You have to continually imagine yourself doing whatever it is you're transferring, as well as your thoughts on the concept, keeping yourself forever on the brink of actually acting it out physically.” An impish grin flashed across her heart-shaped face for a moment, perhaps anticipating amusing antics on Alses' part.

The circles help, of course,” she added, waving a hand at some of the curving, serpentine runes “But they can only go so far – and with a novice like you, they're focused mostly on stopping your brain rejecting the connection and turning into cheese from the backlash.

Cheese?” Alses echoed faintly.

Something like that,” Maeki nodded cheerfully, seemingly unfazed by the prospect of brain death. “Catholicon has a special name for what happens, but it's basically the result of poorly-designed Animation circles coupled with novice practitioners. Not that you have to worry; I made that circle and I'm very good at them, now.

With an inward sigh, Alses stepped gingerly once more into the clear space in the middle of the Source circle, hopefully for the last time today, and put her eternal life in the hands of Maeki Cho's expertise and her painstakingly-crafted circles.

'Jumping toy,' she reminded herself as she settled, deep breaths serving to calm and slow her pounding heart. 'That means a concept of motion, followed by an astral body that understands how to flex and compress a spring. Also a concept of stillness, and another of avoidance, so it doesn't jump headlong into the walls all the time.' This was rapidly developing into something more complex than she'd originally anticipated – which was perhaps Maeki's intention, teaching her that even the seemingly-simplest of creations still required thought and effort and planning to make them work smoothly, their cool efficiency belying the labours of creation.

Much like magecraft, in that sense; few people, on thinking about a magesmith, would ever conjure up the image of a wizard on their hands and knees scrubbing at glyphing circles or chewing absently on the end of the quill as they wrestled with the most appropriate runic designs or what reagents to use.

Gathering the disparate threads of her thoughts together in one imperious mental hand, she focused them and directed them with ruthless efficiency, hurling them like ephemeral javelins out from the sanctum of her brain, out along the broad, draining conduit that her sacrifices to the circles had established, a wide and attractive path for conceptual djed to flow along, writing an extra layer of complexity onto the tabula rasa of the Life Principle, allowing it to circulate and perfuse through the forming copied soul, cargoed with information and knowledge, a tide of something more precious than gold and infinitely more useful – applied well, at any rate.

Motion flickered and danced through her brain, a raying conceptual sun that cast a thousand different impressions into the aurist's world as they roared down the linkage – dances wild and formal, gentle strolls and desperate sprints and all forms of locomotion in between, the sense of the world passing and wheeling around an object in motion, the opposite of stillness, its very antithesis – which also needed to be transferred, so that the little toy would know to avoid rest and repose.

Stillness was an altogether more elusive nymph than dynamic, dancing motion, rarely experienced by Alses to any great degree and a concept she had difficulty with in any case – motion seemed to her to be the default state of all and everything, from the slow wheel of the stars overhead to the procession of the sun and moon to the motion of the planet itself – nothing stood truly still.

Still...the closest to stillness she'd ever experienced was probably resting and relaxing in the baths of the Towers Respite, cradled in hot, mineral-rich water and without a care in the world, totally motionless under the liquid's surface, disturbed by nothing and disconnected from the hustle and bustle of everyday life...that would do for stillness, surely?

Alses gathered the memory, the djedic concepts of her memories and forged them with a powerful mental command into spears she could hurl out into the world, to be captured and splintered and reshaped by the Animation circles into a form acceptable to the nascent Animation, building in complexity with every passing tick of information and power copied in.

It was difficult and fiddly work, it took her the best part of a bell to do, even as the sun slipped lower and lower towards the crucial point of Change, something she had no intention of showing to Maeki, new mentor or no. Time and again, the transference slipped away from her and she had to hurriedly sink into absolute concentration to re-establish the link to purify the stream to the concept of the moment, uncluttered with any other extraneous information. Given the sheer number of disparate threads of thought in her patchwork mind at any one time, how well she succeeded was something she didn't care to speculate on – but at least something seemed to be going in, to be soaking the anticipatory Life Principle core in another layer of complexity, overlaying the dark, shielded mass of antithetical djed that would kill it when the kill-word was spoken. That was the idea, anyway – how well it would work in practice was another matter entirely.

'Astral body next,' Alses thought fiercely, drawing on her auristics to build up a perfect picture of the physical toy itself, every knot and groove and whorl, every slot and tiny scratch on the metal, the sharpness of the corners and the smooth curve of the spiral spring, building up a model in glowing djed in her mind's eye of the toy, its exact dimensions and then overlaying that with her own conceptual idea of how the Animated construct could move its currently-inert body, groups of phantom muscles gripping and cradling the spring, the principal motive organ for the toy, that bit of it that would cause it to bounce and bounce and bounce all over the place.

The sharp brightness of the mirror sliver, as her auristic Sight ghosted over it, gave her pause, as she considered how best to incorporate standard Sight into the mix, twisting and tweaking at the image in her head until long conduits ran inwards from the shining star that was the 'eye' to the Life Principle itself, to the sense of rudimentary sight – the concepts necessary for it, anyway – she'd painstakingly built in earlier, along with everything else she'd realised was unfortunately necessary for even this simple construction.

It was uncomfortably close to the Change when she felt herself finished – to the best of her ability, anyway, still feeling her way through unfamiliar territory, unusual techniques and methods of working that were still sinking into her brain, mixing and mingling with the knowledge already there before being neatly filed and sorted for later reference, later reflection.

'Probably in the bath,' Alses thought whimsically – often, she'd found, leaps of thought or simply sorting a vast array of information into coherency came in the bath or when she was otherwise immersed and caressed in hot water that soothed away all cares and ills.

Shall we try it?” Maeki asked, eyes bright with interest and an anticipatory smile, nodding to where the finished (hopefully) toy rested in the circle, still inactive for now.

At Alses' nod, she swept the tiny toy out of the circle and raised it up to eye level.

Freed from the circles' influence, the Animation began to wake up, its almost static aura beginning to rise into closer-to-sentience levels of activity, shifting and changing as the Animating intelligence explored itself.

Alses couldn't help the broad smile that flowered across her face – mirrored very quickly by Maeki – as the metal of the spring bent and compressed itself and the construct leapt from Maeki's hand, high into the air, coming down with a hard slap of wooden 'foot' on floor, then bounding high again.

On the fourth jump, though, something seemed to go wrong, the aura convulsed suddenly, and in a flash the toy came apart, different pieces flying everywhere, caroming off the walls with the force of their sudden ejection, leaving a slightly stunned and dismayed Alses and Maeki in the middle of the lab and looking at the remains of an afternoon's hard work.

Zintila petch it,” Maeki said with a sigh and a sympathetic look. “It looked so promising, too. Don't look so down, Alses – very few people get it right on the first try. I certainly didn't. Look, go and have a hot bath and a good meal, maybe a slug or two of something hot and wicked at the Scholar's Demise, too, if you've a mind, and we can come back to this in a few days. It's likely just a slightly awry understanding of a motion principle – notice how every part flew off in different directions? Could be a problem with the astral body. We'll work on it, never fear.

END
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Elysium on October 2nd, 2013, 12:47 am

Image
Alses

XP:
Rhetoric +3
Meditation +4
Animation +5
Auristics +4
Observation +4
Glyphing +1

Lore:
Lhavit: Maeki Cho's Studio of Animation
Maeki Cho: Short, Sweet and to the Point
Animation: The Life Principle
Animation: Complementary Skills
Animation: Base Materials & Constructs
Automaton: Jumping-Jack Toy
Animation: Source, Destination and Directive Circles
Glyphing: Venting Glyphs
Yovinkus Wotch, Legendary Animator
Animation: Establishing the Link
Animation: Creating the Soulcore
The Layers of the Soul
Animation: Directives
Animation: Replicating Sensory Organs
Animation: Differentiation
Animation: Stopping Points

Notes: This was a fantastic introduction to Animation! You covered everything really well and of course, many compliments to your depiction of Maeki Cho. I find you lend a missing element to my character design that I can't devise on my own. Well done!

and so, the journey continues...
User avatar
Elysium
Never venture, never win.
 
Posts: 1342
Words: 519270
Joined roleplay: December 12th, 2012, 9:49 pm
Location: Nyka, the Celestial Seat
Race: Staff account
Office
Scrapbook
Medals: 3
Artist (1) Donor (1)
One Thousand Posts! (1)

Previous

Who is online

Users browsing this forum: No registered users and 0 guests