Anna regarded the question about Voiding carefully, thinking deeply on the subject and pulling out anything she might know. The sorceress was hardly the most proficient Voider on Sahova, her own abilities could be used to dispose of hazardous Glyphed items or trash. Celeste's theory depended on being able to reliably store things within the Void at a fixed location and then extract them, which Anna was unsure if it was possible. Her forays into the art had been only slightly illuminating, though she had once looked inside the Void and saw... something.
"I... am not sure. That would likely depend on opening a Portal to the Void at the same point each time you open the Portal. I'm not sure if its possible, my experimentation has been a little limited at this point in time. I would say you could ask a more experienced Voider if you know one. I would say that in theory if you could open a Portal in the same place each time it is possible." Anna replied, her tone a little unsure.
So much about the Void was unknown to her and that annoyed her, it annoyed her immensely. She was almost a prodigy by the standards of Reimancy and Glyphing, but Voiding was a little more difficult for her to understand. Sometimes she simply had to throw up her hands and say that she had no petching idea if something would work or not.
They reached the Mudpools, which Anna noted with a smile. Mud was certainly not her preferred method of Glyphing but it would work as well as ink. This was probably a good time to explain the life of Glyphs and how they functioned when interacting with magic. The tall woman noted that Celeste had disrobed so immediately and estimated which of her fingers would work best in actually placing the Glyphs on the girl's flesh. In the end she opted for her index finger.
Placing mud on the end she first decided where to begin, this was going to be a bit more in depth than her own augments were as she wanted to leave nothing to chance. She'd work from bottom up, focusing on the primary joints and connecting them via Paths. It would be time consuming but Anna was a rather advanced practitioner of the art.
She knelt down in front of Celeste, ignoring any dirtying of her clothes as she began to work. Her left hand gripped Celeste's right leg and her right hand started on the first Focus on her ankle. Anna set her jaw in slight annoyance, if she had her smaller detail brush she probably could make the Glyphing sequence far more in depth, adding smaller Paths and Foci to the toes and fingers. Sadly she did not have the supplies so the bare minimum- in her opinion at least- would have to do.
The first Focus barely took any time at all to complete, even with the unconventional materials the stylized inverted triangle came into existence rather easily as the design was brought forth from muscle memory. She started drawing one on the opposite side of her ankle, nodding to herself in satisfaction as she worked. The girl would be a work of art yet, it would just take some time to perfect her.
"Glyphs, for the most part, are one time use things when interacting with magic. They serve their purpose and then vanish one way or another. These Glyphs will hopefully help you channel the changes through your physical form, making the transformation more seamless in theory." The woman said absently, the majority of her attention being given to the act of drawing Glyphs.
She moved on from the girls right leg and started on the Foci on her left ankle, her thoughts geared towards exactly how the finished product should look. From the ankle she would need to move up the legs to the kneecaps and then the hip. That would complete the legs, allowing her to move further upwards.
Her fingers moved with a surety, in her mind Celeste was already melting away and she was instead at work upon some grand tapestry. The strokes were confident and almost effortless, as though she was barely concerned that a mistake could be made at this junction. Before long her ankles were finished so Anna moved up to the knees, her grey eyes alight with an odd passion as the madness swam just beneath the surface. Madness and genius were two sides of the same coin, after all.
The Sorceress worked carefully in placing the Glyphs on the kneecaps, if Celeste made even the slightest of shifting movement she'd be met by an annoyed glare from Anna. As before the stokes were confident on each leg, surety being with her for each facet of the Focus. It wasn't long before that was done, which resulted in Anna starting on the Barrier around the kneecaps.
The small ring of Glyphs came to life, the pattern being that of right side up triangle, square, and then diamond. It repeated until a ring surrounded the Focus. The Glyph was added to the Foci on her kneecaps and then to the ones on her ankles. As before these were completed rather quickly, requiring little thought or effort on Anna's part. It was the sigils that really took her some time to complete, while the individual building blocks hardly took time at all.
To connect these points two Paths were created to snake up each leg, the pattern being the reverse of the Barrier in that it was diamond, square, and then triangle. Anna moved back slightly to admire the work so far, only a few chimes in and the legs were almost done. Still had quite a bit of work to accomplish though, still very much to do until Anna would be satisfied. She was something of a perfectionist when it came to her Glyphs, everything had to flow together just right for her to be pleased.
As she started on the Foci at her hips Anna vaguely noted Celeste's womanhood was rather close. The last time she'd been near another woman's had been when she had Glyphed Tsaba's for that initiation into Reimancy. That didn't really count though since the undead had been, well dead. Pity Celeste was still so very young, ah well, time would pass for her eventually and she'd grow into a fine young woman soon enough.
The Foci on her hips done Anna repeated her actions from before and connected the newly drawn Glyphs to the ones on the girl's knees. As before she examined her handiwork, nodding to herself slightly before circling around to behind Celeste. Her spine was the next major spot to be Glyphed.
"These personal augments should flow well together, though if we had a couple of Bells I'd probably be able to go even further. Ah, well this will have to do for a trial run." Anna murmured, as much to herself as to Celeste.
A large inverted triangle was drawn over the majority of her spine, the size causing her to take a little longer as well as gather more mud every now and then absently. The Focus done she started on the Barrier, which was much larger this time and connected it to the Barriers at her hips via more Paths. The spine was the point of intersection for the flow, from here there were three points it would go to.
Anna moved her head to brush some of Celeste's hair from the back of her neck, noting that inverted purple triangle again. There was something odd about it that drew her eyes, though she couldn't quite put her finger on it. Regardless she drew a Focus at the base of the girl's neck and connected the resulting Barrier to the larger one on her back.
"Hold out your arms." She instructed.
If Celeste complied then Anna would start with her right arm, repeating the same motions as before as she placed Focus Glyphs on her shoulders, elbows, and wrists and connected them via Paths to the point of intersection on her back. The same would be repeated with her left arm, and when it was all done Anna would start circling the girl to assess her work.
Celeste was gone and instead it was her Glyphs that mattered, the artistry of magic itself, her grey eyes searching for any flaws in the overall design with and expert's gaze. Her front half was absent most signs of work, though Anna figured that it didn't matter as much as the other parts. Not perfect but with the time and materials it would have to suffice.
"Not bad, not bad. Try these and lets see if they perform the needed functions." Anna said, stepping back a little to give Celeste room.
OOCObnoxiously long post, sorry!
"I... am not sure. That would likely depend on opening a Portal to the Void at the same point each time you open the Portal. I'm not sure if its possible, my experimentation has been a little limited at this point in time. I would say you could ask a more experienced Voider if you know one. I would say that in theory if you could open a Portal in the same place each time it is possible." Anna replied, her tone a little unsure.
So much about the Void was unknown to her and that annoyed her, it annoyed her immensely. She was almost a prodigy by the standards of Reimancy and Glyphing, but Voiding was a little more difficult for her to understand. Sometimes she simply had to throw up her hands and say that she had no petching idea if something would work or not.
They reached the Mudpools, which Anna noted with a smile. Mud was certainly not her preferred method of Glyphing but it would work as well as ink. This was probably a good time to explain the life of Glyphs and how they functioned when interacting with magic. The tall woman noted that Celeste had disrobed so immediately and estimated which of her fingers would work best in actually placing the Glyphs on the girl's flesh. In the end she opted for her index finger.
Placing mud on the end she first decided where to begin, this was going to be a bit more in depth than her own augments were as she wanted to leave nothing to chance. She'd work from bottom up, focusing on the primary joints and connecting them via Paths. It would be time consuming but Anna was a rather advanced practitioner of the art.
She knelt down in front of Celeste, ignoring any dirtying of her clothes as she began to work. Her left hand gripped Celeste's right leg and her right hand started on the first Focus on her ankle. Anna set her jaw in slight annoyance, if she had her smaller detail brush she probably could make the Glyphing sequence far more in depth, adding smaller Paths and Foci to the toes and fingers. Sadly she did not have the supplies so the bare minimum- in her opinion at least- would have to do.
The first Focus barely took any time at all to complete, even with the unconventional materials the stylized inverted triangle came into existence rather easily as the design was brought forth from muscle memory. She started drawing one on the opposite side of her ankle, nodding to herself in satisfaction as she worked. The girl would be a work of art yet, it would just take some time to perfect her.
"Glyphs, for the most part, are one time use things when interacting with magic. They serve their purpose and then vanish one way or another. These Glyphs will hopefully help you channel the changes through your physical form, making the transformation more seamless in theory." The woman said absently, the majority of her attention being given to the act of drawing Glyphs.
She moved on from the girls right leg and started on the Foci on her left ankle, her thoughts geared towards exactly how the finished product should look. From the ankle she would need to move up the legs to the kneecaps and then the hip. That would complete the legs, allowing her to move further upwards.
Her fingers moved with a surety, in her mind Celeste was already melting away and she was instead at work upon some grand tapestry. The strokes were confident and almost effortless, as though she was barely concerned that a mistake could be made at this junction. Before long her ankles were finished so Anna moved up to the knees, her grey eyes alight with an odd passion as the madness swam just beneath the surface. Madness and genius were two sides of the same coin, after all.
The Sorceress worked carefully in placing the Glyphs on the kneecaps, if Celeste made even the slightest of shifting movement she'd be met by an annoyed glare from Anna. As before the stokes were confident on each leg, surety being with her for each facet of the Focus. It wasn't long before that was done, which resulted in Anna starting on the Barrier around the kneecaps.
The small ring of Glyphs came to life, the pattern being that of right side up triangle, square, and then diamond. It repeated until a ring surrounded the Focus. The Glyph was added to the Foci on her kneecaps and then to the ones on her ankles. As before these were completed rather quickly, requiring little thought or effort on Anna's part. It was the sigils that really took her some time to complete, while the individual building blocks hardly took time at all.
To connect these points two Paths were created to snake up each leg, the pattern being the reverse of the Barrier in that it was diamond, square, and then triangle. Anna moved back slightly to admire the work so far, only a few chimes in and the legs were almost done. Still had quite a bit of work to accomplish though, still very much to do until Anna would be satisfied. She was something of a perfectionist when it came to her Glyphs, everything had to flow together just right for her to be pleased.
As she started on the Foci at her hips Anna vaguely noted Celeste's womanhood was rather close. The last time she'd been near another woman's had been when she had Glyphed Tsaba's for that initiation into Reimancy. That didn't really count though since the undead had been, well dead. Pity Celeste was still so very young, ah well, time would pass for her eventually and she'd grow into a fine young woman soon enough.
The Foci on her hips done Anna repeated her actions from before and connected the newly drawn Glyphs to the ones on the girl's knees. As before she examined her handiwork, nodding to herself slightly before circling around to behind Celeste. Her spine was the next major spot to be Glyphed.
"These personal augments should flow well together, though if we had a couple of Bells I'd probably be able to go even further. Ah, well this will have to do for a trial run." Anna murmured, as much to herself as to Celeste.
A large inverted triangle was drawn over the majority of her spine, the size causing her to take a little longer as well as gather more mud every now and then absently. The Focus done she started on the Barrier, which was much larger this time and connected it to the Barriers at her hips via more Paths. The spine was the point of intersection for the flow, from here there were three points it would go to.
Anna moved her head to brush some of Celeste's hair from the back of her neck, noting that inverted purple triangle again. There was something odd about it that drew her eyes, though she couldn't quite put her finger on it. Regardless she drew a Focus at the base of the girl's neck and connected the resulting Barrier to the larger one on her back.
"Hold out your arms." She instructed.
If Celeste complied then Anna would start with her right arm, repeating the same motions as before as she placed Focus Glyphs on her shoulders, elbows, and wrists and connected them via Paths to the point of intersection on her back. The same would be repeated with her left arm, and when it was all done Anna would start circling the girl to assess her work.
Celeste was gone and instead it was her Glyphs that mattered, the artistry of magic itself, her grey eyes searching for any flaws in the overall design with and expert's gaze. Her front half was absent most signs of work, though Anna figured that it didn't matter as much as the other parts. Not perfect but with the time and materials it would have to suffice.
"Not bad, not bad. Try these and lets see if they perform the needed functions." Anna said, stepping back a little to give Celeste room.
OOCObnoxiously long post, sorry!