On Discipline
Eleanor Roosevelt said a beautiful young person is an accident of nature, but a beautiful old person is a work of art. This is a statement that has resonated with me a long while. It is, ironically, one of the first things our fellow player, Dani, and I connected on all those dinosaur years ago.
I’m a mess. I’m going to put it right out there. When it comes to writing I get disconnected ideas, mad tangents, irrelevant back stories, side character motivations and popping, shining globs of plot flesh that look glorious but are achingly lacking in necessary explanation and detail bones to make them go. My headspace is a disaster zone and the only thing keeping me from toppling right into the smoking tar pit of interminable plot holes is discipline.
This is not to say that plot holes don’t happen. They do. Yet if I had not spent damn near the whole of my life trying to beat my sloppy and hungry imagination into shape, there would be more holes than plot in everything I do. These days it is rare that I trip over a plot hole that is gaping and obvious and how-in-all-that-is-holy-did-I-miss-that. Well, at least not when I’m too far in, when it is too late to fix it without unknotting reams of plot and the most hated of all writing things I hate: retconning.
(I promise I’m not going to get into a rant about retconning and Mizahar now. I promise. I promise. I promise. This is about something else. However, while we’re on the subject, if you ever need to know the fastest way to piss me off on a writing level, it is to do something that is going to force me to retcon. Knowing is half the battle.)
What do I mean when I say discipline? I mean that even of the very few people who are actually born with an innate and incredible writing genius there are even less who can stand forever on that alone. Stephen King is a prime example. The man is a god damned genius. He knows his shit and how to terrify it out of you with a typewriter. He wrote wonderfull chilling tales that displayed his talents.
And then he gave them to his editor.
And then his editor beat the hell out of them with a structure stick.
And then King rewrote the story.
And then his editor gave it another beating.
And King rewrote it again. And again.
Until, one day, it was sent to print.
Fastfoward over a decade. Stephen King is Stephen Fucking King. His editor stops eviscerating his stories with a structure machete and they go pretty much straight to shelf. Now, now, his stories suck. They fall apart in the middle. Deus ex machina is brought in to pick them up. Flat rebound characters. Et cetera et alia.
King never learned any real discipline. His editor was the whole of his discipline and when she went away or got too scared to tell him, he had not enough of his own to fall back on. His genius had no solid ground to launch from.
Structure is discipline for me. I don’t actually enjoy hacking out character diamonds and outlining the acts and plot points and goal motivations and aides and hindrances and so on into infinity. I really don’t. I would much rather spend my time doing the fun part, the actual writing. For years I did just that, silly and not knowing any better, and as a result I have no less than six novels and four of them fell apart somewhere in the middle and would require complete rehaul to fix.
Granted, some of those were written with understanding of discipline’s necessity, but I had yet to fully absorb plot structure. I knew what it was. I had done it. But I didn’t get it and because of that I didn’t try hard enough to make the structure come out before getting into the goods. Finally, I’ve reached the point where I do get it, and I still stumble sometimes.
I just don’t do so as much or as hard. I want to be a beautiful a old person, damnit.
Goal (Take A Break From Deadline Work) + Conflict (Fifty Million Distractions) = Plot (Katie Rambling On Writing In Order to Get To Writing)
Goal Achieved
Back to work.
- k. |