Completed Enlargements While You Wait

Size Matters

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Considered one of the most mysterious cities in Mizahar, Alvadas is called The City of Illusions. It is the home of Ionu and the notorious Inverted. This city sits on one of the main crossroads through The Region of Kalea.

Enlargements While You Wait

Postby Kuvarakh on August 6th, 2014, 4:03 am

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OOC - continues from here.
20th Day of Summer, 514

It was somewhat disappointing, after all the effort "Maya" had put into making the sketches. And they had even gone to the mansion to see if they met with its approval. The response had been almost a celebration. The mansion's sentient avatar, Aceren, a vaguely uniformed combination butler, doorman and maitre d', had expressed nothing short of delight. He appeared to have been somewhat apprehensive, at first, about the reaction some of the less hospitable wings of the mansion would have towards them before he saw them. But as templates for tapestries, he now felt these offerings would go a long way to ingratiate Kuvarakh, and his friends, with the entire structure.

The front entry, promenade, and ballroom were amiable enough, as were the Greenhouse and related outbuildings. The dining area was tolerant at best, though you were often warned by sudden scootings of chairs if you tried to pass through to the kitchen, as if invisible people had stood up from the table in alarm. Kuvarakh had felt as if hostile glares had been cast in his direction the first time it happened to him. He had cleared his throat and offered his apology for his presumption and reversed his course. The chairs had slid slowly, of their own accord, back into place as he left back the way he had come.

If Aceren was accompanying him, there was a much greater degree of welcome in these areas, the avatar serving to vouch for his presence. Kuvrakh had found it surprising that the different wings and areas of the estate had their own personalities, separate from that represented by Aceren. The man had explained that it was the result of the due to the number and extremes of the violations committed against those portions of the mansion that caused them to be more distrustful.

"It is not truly separate. Think of it as a sore and repeatedly bruised spot on your body. When someone comes carelessly thrashing around, you will be more protective of that spot, taking steps to keep it away from contact. But more important, if you cannot turn yourself from contact, you will take steps to push the offender away from you. And you might also add a comment...a 'watch where you're going, idiot!' or something of that nature."

As a Nuit, Kuvarakh found it very easy to relate. Since Nuit bodies did not heal, he was frequently finding himself making instinctive efforts to avoid further injuries to spots already scraped or lacerated. He had on a number of bandages right now. They were not to shield a wound while it healed. It was more like armor on a vulnerable spot to guard against the daily battles of bumps and bruises. He had taken the initiative to spend djed in a hypnotic sort of contact, not to impose an impression on the building's opinion of him, but to simply offer an apology and an acknowledgement of understanding into the room itself. Once or twice, curtains had parted slightly to let a little more light into the room right afterward. It felt like it had been in response to his effort, and he felt he was slowly making strides in gaining the mansion's trust, room by room, chair by chair.

So when he returned to the town and went to the Bizarre, Alvadas major trade center and market, to look into having the sketches made into tapestries, it was an unpleasant surprise to find out it would take a dozen weavers a good two seasons or more to finish even ONE of them. And the very nature of how they were crafted made his alchemy a most impractical skill to use as a shortcut. The best he and the craftsman had been able to come up with was that Kuvarakh could use the djed-craft to enlarge the small sketches to "tapestry size". By this, the man meant somewhere on the order of fifteen by twenty feet.

Kuvarakh had protested that they did not need to be so large, being unable to think of anywhere in the mansion that could accommodate such a size. The man offered the details on what he called "Estate size", which was more of an eight by twelve foot affair. This was something Kuvarakh could do with the larger new ring Wanda had procured after the debacle with the "Buzzbugs", as they had come to be known. The weaver said that this would allow the artist to transfer the "cartoon" directly to the warp, rather than having to enlarge it by hand. Coupled with the smaller size, he and his crew could get three of them done in that time.

The old fellow smiled with such pride that Kuvarkh felt obliged to comment on how remarkable such a turnaround would be. Inside though, he hoped that the mansion was aware of how long it apparently took to craft a high quality tapestry.
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Last edited by Kuvarakh on August 20th, 2014, 6:41 am, edited 2 times in total.
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ALCHEMY.....When evolution is just too slow.

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Kuvarakh
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Enlargements While You Wait

Postby Kuvarakh on August 11th, 2014, 5:44 am

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For now though, Kuvarakh compared the sketches with some of the tapestry samples the weaver had on hand. He found two of the small "estate size" that were clearly the same theme on the same historic event. Both were outstanding quality with very tight weaves and great attention to alignment of the pictorial weft rows. However, one was only crafted in wool, and was available for a mere thirty mizas.

The second though, was exquisite. Silken weft employing gilt, silver and gold wrapped threads where the ornate scenes would have legitimately been silver or gold for 'The Wedding of The Emperor' depicting the ceremony which ended the Suvan Wars, but preceded The Valterian. They wanted one hundred fifty mizas. If Kuvarakh hadn't spent the last bell talking about the aspects of tapestry weaving that made for higher costs, he wouldn't have known that this man could well have asked twice that. It was only because the man hoped to set up an arrangement with Kuvarakh for future enlargements that he'd given him such a bargain.

Kuvarakh returned to the shop with his tapestries. He was excited to think about how delighted the mansion was going to be with the tapestries. The cheaper one would go well in the game room. He'd sensed a less complicated atmosphere there, competitive, but not discriminating in other regards. The rendition of the Alahean Coat of Arms would fit well there. Naturally, it was going to require the Suvan Coat of Arms as well someday, for unbiased political representation. Kuvarakh almost laughed at the thought of worrying over such things now.

No, there was only one thing to worry about now. He had a nice initial investment in the mansion's desire for tapestries, he had everything in place to follow up on more of them. It was time to get things in motion, and that meant sketch enlargements for quick transfer to warp bases for tapestries. It was time to get started.
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ALCHEMY.....When evolution is just too slow.

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ties a rope to a tree and hangs the world
 
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Enlargements While You Wait

Postby Kuvarakh on August 12th, 2014, 3:27 am

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Kuvarakh considered what the exact goal of the upcoming transmutations was to be. The purpose was to make it possible for the small sketches of Maya's to be enlarged to greatly reduce the amount of effort to copy the "cartoon", as it was called, onto the warp threads. The enlarged image would then be a huge help in weaving and aligning the colored weft threads to create the final product.

But it occurred to him that simply making an enlarged sketch on a big parchment would not really be of much help. The cartoon had to be copied onto the warp threads when they were pulled taut, spaced and lined up as they would be when the weft was interwoven. Simply having a big picture would not help much. It would have to be held in place and immovable for as long as it took to then transfer the image one MORE time to the warp threads themselves. He doubted any way could be found to keep a huge sheet pressed against the underside of a field of tightly suspended threads and held so perfectly still for so long.

So it needed to be able to transfer the image quickly. His first thought was to make the image side of the parchment sticky. Sticky enough to adhere to the underside of the "warp" threads. These were the strong threads that remained taut and straight, forming the backing into which the image would be woven, courtesy of the "weft" threads. These were the colored and textured, or even gilded, threads, whose patterned array formed the image.

But it occurred to him that, not only would applying some kind of adhesive to the warp make for a number of problems when the weaving began, but the actual apparatus that allowed every alternate thread to be lifted or lowered on a rack to allow easy passage of the weft between the layers. If there was a sticky sheet of parchment attached to the entire field of warp threads, then this separation of layers could not occur. Not to mention that manual weaving would still result in the sheet of parchment being woven, scrap by scrap, into the tapestry as well.

No...adhesion was not the solution...

As is often the case, the solution was discovered entirely by accident. Wanda, his boss at the shop, had apparently set her chilled goblet on her chair, leaving a wet ring that she failed to consider when she lifted it to take a sip as she sat in the chair. A moment later, she squawked gracelessly and stood, fruitlessly turning to see if the wet ring on her backside, from the offset condensation, was as visible as it felt.

Kuvarakh's triumphant laughter assured her that it was.
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ALCHEMY.....When evolution is just too slow.

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Kuvarakh
ties a rope to a tree and hangs the world
 
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Enlargements While You Wait

Postby Kuvarakh on August 16th, 2014, 10:03 pm

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"It's NOT funny!" Wanda objected, knowing it was. "You're not nearly attractive enough to help me with this!" she chided him, stroking the dark circle on the cheek of her pants, with a hint of a smirk.

"But YOU have helped ME, as usual, Boss. I've got the answer to my problem, thanks to your stylishly embellished bottom. Have you got a free afternoon?" Kuvarakh asked with exaggerated innocence.

Wanda cocked her hips provocatively with a spank, her look challenging. "You wouldn't LAST all afternoon, even if you had the blood pressure to get started, honey."

Kuvarakh shrugged, a smile of graciously accepted defeat finding its way from one cheek to the other. "True enough, Boss. But I was not offering my body, I'm sorry to say. I was offering a contract with the weaver's guild to make patterns for tapestry cartoons." He described the events leading up to his talk with the guild representative at The Bizarre, admitting that it began as a favor for the Mansion. Her eyes rolled predictably.

"I might have known it started there." she scowled playfully, "Maybe I should hire this 'Aceren' to work for me. He seems to drum up more work for me than YOU do lately." But she listened as he explained what he wanted her to do.

"So you want me to glyph a sheet of parchment for you to use as a fount. A glyph to "contain" the wet state of the ink, ink which will be imbued from a different fount, in a pattern from yet a third fount. You want the glyph to restore the wet state of the ink, after it has dried, when triggered."

"Yes, exactly." Kuvarakh confirmed, "It will save the weavers considerable time. I am going to transfer an image onto what they call an 'estate size' sheet of parchment. I'll let it dry, then roll it up for them to pick up. They roll it out on their threads when they can stretch them taught and have all the layers at the same level. Then they press it down and trigger the glyph, the ink becomes wet again and the image transfers onto the threads."

When he detailed what "estate size" meant, Wanda said that her glyph could probably work for two at a time if they made that a separate activation. "It might be more cost effective, for this smaller size, to do it that way. The larger, "tapestry size" would have to be done one at a time, though." A different look of calculation crossed her features, "How much will they pay for this service?"

"Well, it's only for the more expensive weaves that they would want this done. Either the "tapestry size", or smaller ones where they're using silk or gilded thread." She rolled her wrist, indicating he continue, "So I quoted twenty five for small size and forty for the large."

She gave him a blank look. "You know, of course, that the amount of time and work would be the same for both sizes, right?"

"Well of course. But THEY don't have to know that." he grinned.
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ALCHEMY.....When evolution is just too slow.

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Enlargements While You Wait

Postby Kuvarakh on August 17th, 2014, 11:50 pm

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The real beauty of this contract was that Wanda could be scribing the glyphs on upcoming founts as Kuvarakh did the activations. Usually materials were all prepped ahead of time, since subsequent processes had to wait until activations were finished. But these activations, despite having three separate founts, none of them being reinforced by duplication, had virtually nothing to be filtered out. Wanda did not have to wait for a step to be finished before being able to continue with her glyphing work.

Kuvarakh's mental tie to his transmutation control had always been in the envisioning of a whirlpool. The water funnel would generate features as Kuvarakh's concentration began to realize the properties he wanted to retain or discard. If a texture was right, but the color was wrong, he'd align his focus to create a surface on the water that corresponded to the texture he wanted. And he'd eliminate the color by letting the water become that color and then slowly washing it out, to return to the normal dark, swirling blue. Or maybe by visualizing a massive sponge that soaked up the color and then flew off the crest of a particularly high wave, to disappear beyond the fuzzy edges of his vision.

Like most magic disciplines, there was no one constant form for performing a task. It was all in the practitioner's way of gathering his focus and directing his intent in whatever fashion allowed him the most pure grasp on his purpose. Often, what made a transmutation difficult was NOT the number of properties to be retained or discarded, but the ambiguous nature of how to separate their concepts from the rest.

For him, it often ended up just a matter of fortitude, as he maintained the spinning water, which represented the actual transmutative djed stream itself, until a way of identifying a significant quality manifested itself. Sometimes it was a mystery, as if the metaphoric whirlpool itself provided the answer. Whereas, other times it was the more iconic "Eureka!" situation, where a sudden idea occurred to him and he then expended the effort to transform some aspect of the water into a metaphoric representation of it.

But this would be easy. All there was was parchment with a sketch, everything retained, nothing discarded; A parchment with wet ink, everything retained, nothing discarded AND nothing contradicted; and a parchment with a glyph, everything retained, nothing discarded, nothing contradicted. The only real blending of properties would simply be the shaping of the ink to match the sketch, and the overlaying of the glyph's control over it.

The ink would have no innate resistance to being shaped to convey a meaning. That is its genuine purpose. And the overlaying of the glyph would suggest no difficulty. Again, that is its purpose. And even the final receiver material was just one more piece of blank parchment. Again, everything retained, nothing discarded, and nothing contradicted. The only likely obstacle would have come from having the ink on the one fount dry before the transmutation was finished. But that was an easy problem to prevent. That left the one single actual alteration. And that was only a matter of size adjustment, one of the simplest and smoothest changes there were.

To be fair, it took one test run to get the adjustment into Kuvarakh's frame of mind. He actually made the first one too big. But both he and Wanda had expected it, and had not even bothered with the full fount array. After that, things went smoothly and they got all eight of the activations done in one day.
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ALCHEMY.....When evolution is just too slow.

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Kuvarakh
ties a rope to a tree and hangs the world
 
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Enlargements While You Wait

Postby Kuvarakh on August 20th, 2014, 6:41 am

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As he had done several times before, Kuvarakh took note of the shapes and symbols that comprised the glyphs Wanda had used on the otherwise blank parchments. He was beginning to get an idea of the functions of various symbols involved. She had given tentative promises to teach him what she knew of glyphing. But it was becoming increasingly apparent that she was unsure of the approach to take.

He knew that it was a very personal thing. It was along the line of the observations about Alchemy that he'd subconsciously been thinking of while doing the activations on the sketches. There was no ONE way to apply the control or embellishments provided by glyphing. He'd sneaked many looks in Wanda's personal glyphing notes, and the text-book style "Advisories on the Approaches to Glyphing" volumes that she's obtained years before.

He'd retained much of the theoretical formulae on the discipline that he'd seen in the pages, but had yet to put it into practice. He knew that the "Focus" was the actual subject of the glyph. The purpose and the the stored "intent" of the glyph. It represented the goal of what the glyph's ultimate result was to be. It was where the actual magic power, the deposited djed, was stored for later release.

This could be of an aggressively defensive nature, like a fireball poised to be unleashed upon a burglar setting foot on the glyphed floor of some wizard's workshop. Or of a more embellishing or creatively enabling nature like the glyphs Wanda placed on the founts to imbue the ability to have the ink returned to its wet state upon triggering. It was Kuvarakh's understanding that even actual items could be rendered into storage within a glyph, if the were empowered by a magic that could be aligned with the symbolism.

Then there were sub-elements of the overall glyph. The 'Barriers' that hindered the release of what they encircled; the 'Triggers' that defined the conditions enabling release of the stored magic; the 'Paths' allowing secondary conditions to bypass certain barriers and triggers, to bring other effects to other portions of the glyph; and the 'Switches' that served as conditional directives for separate elements of the released powers.

He knew he was far from being able to even begin dabbling with these finer elements, but he felt himself capable of something as simple as capturing the concept of a moist state, to enhance the ink on a piece of parchment. After that, there would only be the decision of what to use as the trigger.

Wanda liked to use tuning forks, like professionals used to tune pianos. She set the glyph to represent the tone of the chosen fork, and then let the user take the fork with them to set the glyph vibrate at that exact speed, setting off the glyphs effect. Kuvarakh had this chosen fork with him right now as he arrived at the weaver's workshop.

It worked so smoothly. He marveled at its efficiency. The "estate size" sheet of parchment was unrolled and laid upon the taut warp threads. Several of the junior weavers flattened and secured the position of the parchment, preventing it from wrinkling, sliding or rolling back up. Kuvarakh then tapped the split end of the fork, setting it to vibrate. Then quickly set the knob end against the glyph. Immediately, the lines of dried ink glistened wetly and offset the image onto the threads.

The weavers were delighted with the shortcut. And though they could not truly be certain that the other parchments would work until they had a new thread array tightened into the loom frame, they had no reason to doubt that they would. Kuvarakh returned to Alchemmia Alchae with the money for the whole lot and handed the silk bag to Wanda. She smiled broadly and hugged him for his initiative in pursuing this contract.

He decided not to ruin the mood by asking for glyphing lessons again just yet...
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ALCHEMY.....When evolution is just too slow.

CS - Plotnotes - Alvadas Linkmap - Dev Thread - Grading - Architectrix
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Kuvarakh
ties a rope to a tree and hangs the world
 
Posts: 700
Words: 656536
Joined roleplay: May 19th, 2012, 8:38 pm
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Race: Nuit
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Enlargements While You Wait

Postby Zhol on September 15th, 2014, 10:54 am

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GRADE AWARDED!

Kuvarakh
 
Rewards
Experience
  • +1 Alchemy
  • +2 Architectrix
  • +2 Glyphing
  • +1 Hypnotism
  • +2 Negotiation
  • +1 Observation
  • +1 Planning
  • +1 Socialization
Lores
  • Architectrix: Apologising to an empty house
  • Architectrix: Protecting itself like protecting a wound
  • Architectrix: Appeasing the mansion with gifts
  • Glyphing: Learning by observation
  • Glyphing: Understanding the basics
  • Glyphing: Using glyphs to transfer ink
  • Glyphing: Tuning forks as triggers
  • Negotiation: Exaggerated quotes - more money, same work
  • Wanda: Blood Pressure - I Nuit would be a problem
  • Wanda: Watching while she works
Other Rewards
  • Tapestries for your new house friend

 
Consequences
Injuries
  • None (phew!)
Expenses
  • Don't forget to update your ledger with your t59 thread expenses!

 
Comments
Feedback
I've just begun to dabble in writing magic myself, so this was fascinating for me. The fact that Kuvarakh was able to find a common frame of reference between himself as a Nuit and the Architectrix mansion was a really nice touch. Love the tuning fork triggers too - I may have to commandeer that idea! :)

Please delete/edit your grade request, and don't hesitate to PM me if you have any questions about your grade!
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Zhol
Carry on, wayward son.
 
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